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 Horrorcram XV: Let's Scare Corrierino To Death 
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Jinnistan wrote:
Yes. And this is why I prefer this title to Terror Circus or Nightmare Circus or whatever else. With Barn of the Naked Dead, I feel there's a full disclosure of what you're getting into. "Barn of the Naked Dead is fucking terrible". Because of course it is.


Barn of the Naked Dead is a quality title that should have allowed the movie to write itself. I had expectations, dammit.


Sat Feb 24, 2018 11:37 am
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I'm waiting on the Russian spambots who promised me a film based on The Barn of the Naked Dead.


Sat Feb 24, 2018 11:48 am
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I'm afraid that I can never be scared of a film with a Barn in the title. I'm not some savage.


Sat Feb 24, 2018 12:32 pm
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TerrorVision is good, solid, nasty, fun.

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Sat Feb 24, 2018 8:57 pm
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I more or less enjoyed Andy Muschietti's Mama. (Suck it, Andy!) It doesn't reach the high points of It and the characters are more generic, but I found the scares more effective as they tended to be quieter and more varied in how they played out.

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Mon Feb 26, 2018 2:04 pm
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Annihilation is the best of the "dumb scientist" sci-fi horrors that have cropped up since Prometheus. It has palpable dread and is visually original and arresting for the genre. I keep thinking about it and that's a very good thing, despite the frustration of certain glaringly stupid character decisions and sloppiness.


Mon Feb 26, 2018 2:58 pm
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I just finished Before I Wake, the horror on Netflix about the boy whose dreams (and nightmares) come true.

So this movie . . . got to me on several different levels.

The general plot is that a couple, Jessie (Kate Bosworth) and Mark (Thomas Jane), adopt a child, Cody, who has been passed from foster home to foster home. Jessie and Mark lost their own son, Sean, in a horrible accident in the house. Shortly after taking Cody in, Jessie and Mark discover that Cody's dreams come to life as he sleeps, vanishing when he wakes.

To begin with, maybe it was just post-Parkland stuff in my head, but the presence of parents mourning their dead child really hit me hard. (As a sidenote, the presentation of the handling of children in this movie was kind of whack. At one point a teacher leaves a child completely unsupervised in a classroom with the lights off. Later, someone is just able to walk into a facility housing children in protective custody--forget badges and swipe cards, the door isn't even locked!).

In a powerful early scene, Cody *MILD SPOILERS*
dreams about Sean and the boy appears to his startled parents. Jessie seizes on this opportunity and begins showing Cody more pictures and videos of Sean in attempts to make him more "real" in the dreams. I really liked that Mark quickly flags this behavior as abusive and exploitative. The drama of the tension between Jessie and Mark was really well written and it grounds the more fantastical elements.


Overall I would highly recommend this movie. It moves efficiently through its different plot arcs, and yet it always stays grounded in the relationships between the characters. Thomas Jane in particular has very good rapport with the actor playing Cody and that really elevates the scenes that include the child.

The movie has a few tired cliches (emaciated CGI man popping up unexpectedly? Yawn), but most of its horror is more grounded in existential torment, grief, fear, anxiety, and the dilemma of an unbelievable and unsolvable problem. For those who have seen it, my favorite moment is when
the Sean vision lingers even as Cody wakes up, and he directly channels Cody's panicked thoughts of "I'm awake, this can't be happening!". Just perfectly unsettling and shiver inducing.


Tue Feb 27, 2018 9:19 am
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Jinnistan wrote:
I'm afraid that I can never be scared of a film with a Barn in the title. I'm not some savage.


Oh, I wasn't promised a horror film with that title. :P


Tue Feb 27, 2018 12:36 pm
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Rock wrote:
I more or less enjoyed Andy Muschietti's Mama. (Suck it, Andy!) It doesn't reach the high points of It and the characters are more generic, but I found the scares more effective as they tended to be quieter and more varied in how they played out.


Mostly agree here. I found Chastain made for an unusual punk mama, but I bought in thanks to her performance.

Outside of some third act dumbness, I generally thought it was decent.


Tue Feb 27, 2018 12:37 pm
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Image

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After watching the final film, Night of the Seagulls, for Horrorcram a couple of years ago, I've finally finished the Blind Dead tetralogy after watching The Ghost Galleon recently.

Amando de Ossorio's films of a sect of undead Knights Templar, maintaining immortality through the blood of attractive young actors, make for a peculiar but distinct brew of horror subgenre. None of the films are really congruent with each other, and in fact seem to repeat a lot of plot points and characters. Night of the Seagulls is almost like a remake of the first two films, refining the formula to its basic essence and slowly enhancing the stylistic effect. I still think that Seagulls is the most effective of the four, by benefit, perhaps, of excising the various crudities of the previous films. But Seagulls, plotwise, is more of a retread than an improvement on its storytelling.

Taken together, I think that all of the films are fun, with its gothic class and stagnant dread, and the visuals of the horseback undead Knights, in slow motion under the day-for-night moonlight, provides some genuinely chilly imagery. This is the stylistic signature that improves with each film. Even The Ghost Galleon, ironically the weakest film despite being the most deviated in story, also has one of the most powerful segments, its final five minutes, in the entire series (and was probably a major influence on Romero for Land of the Dead). This film ditches the common setting of a small southern European village, in the vicinity of a Templar castle, and still rustic under its medieval traditions. Instead it involves a group of models and moguls getting lost at sea and discovering a 16th century ghost ship. The models provide a higher ratio of bodice flesh, and the ship provides a great foggy atmosphere, but it seems more of a cash-in than the others (again, until that ending). The others are more homogeneous, always among backwards villagers, always with a hard and skeptical hero, always with a final night-ride of the damned on a shifting anniversary of an apocalyptic Templar tragedy.

Also, I'm pretty sure that I've seen only the standard English-language cuts of each film. I know that there are some deviations which are substantial, including a radical recut of Tombs called Revenge of Planet Ape. I think I may have saw this title listed on Prime, so I'll have to check that one out.

Tombs of the Blind Dead - 7.5
Return of the Evil Dead - 8
The Ghost Galleon - 7.5
Night of the Seagulls - 8.5


Tue Feb 27, 2018 2:28 pm
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Apex Predator wrote:

Mostly agree here. I found Chastain made for an unusual punk mama, but I bought in thanks to her performance.

Outside of some third act dumbness, I generally thought it was decent.


My favorite moment in Mama is the genre-defying part where the family has
figured out how to fix/cure/banish the ghost by returning her dead baby to her. In most movies, this would be the answer. But here the spirit literally throws away the baby because of the bond she has formed with the new girl. I really, really loved that element. It makes Mama a thinking, evolving creature instead of the standard "stuck in a loop of behavior" kind of ghoul in most horror movies.


Wed Feb 28, 2018 8:33 am
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Apex Predator wrote:
I found Chastain made for an unusual punk mama, but I bought in thanks to her performance.

She was one hot Mama, amirite?

Sorry.

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Wed Feb 28, 2018 12:52 pm
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Takoma1 wrote:

My favorite moment in Mama is the genre-defying part where the family has
figured out how to fix/cure/banish the ghost by returning her dead baby to her. In most movies, this would be the answer. But here the spirit literally throws away the baby because of the bond she has formed with the new girl. I really, really loved that element. It makes Mama a thinking, evolving creature instead of the standard "stuck in a loop of behavior" kind of ghoul in most horror movies.

That was good. I also liked that they made the researcher act in his self-interest without being an exploitative creep.

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Wed Feb 28, 2018 12:53 pm
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Jinnistan wrote:
Image

Image

Image

Image


After watching the final film, Night of the Seagulls, for Horrorcram a couple of years ago, I've finally finished the Blind Dead tetralogy after watching The Ghost Galleon recently.

Amando de Ossorio's films of a sect of undead Knights Templar, maintaining immortality through the blood of attractive young actors, make for a peculiar but distinct brew of horror subgenre. None of the films are really congruent with each other, and in fact seem to repeat a lot of plot points and characters. Night of the Seagulls is almost like a remake of the first two films, refining the formula to its basic essence and slowly enhancing the stylistic effect. I still think that Seagulls is the most effective of the four, by benefit, perhaps, of excising the various crudities of the previous films. But Seagulls, plotwise, is more of a retread than an improvement on its storytelling.

Taken together, I think that all of the films are fun, with its gothic class and stagnant dread, and the visuals of the horseback undead Knights, in slow motion under the day-for-night moonlight, provides some genuinely chilly imagery. This is the stylistic signature that improves with each film. Even The Ghost Galleon, ironically the weakest film despite being the most deviated in story, also has one of the most powerful segments, its final five minutes, in the entire series (and was probably a major influence on Romero for Land of the Dead). This film ditches the common setting of a small southern European village, in the vicinity of a Templar castle, and still rustic under its medieval traditions. Instead it involves a group of models and moguls getting lost at sea and discovering a 16th century ghost ship. The models provide a higher ratio of bodice flesh, and the ship provides a great foggy atmosphere, but it seems more of a cash-in than the others (again, until that ending). The others are more homogeneous, always among backwards villagers, always with a hard and skeptical hero, always with a final night-ride of the damned on a shifting anniversary of an apocalyptic Templar tragedy.

Also, I'm pretty sure that I've seen only the standard English-language cuts of each film. I know that there are some deviations which are substantial, including a radical recut of Tombs called Revenge of Planet Ape. I think I may have saw this title listed on Prime, so I'll have to check that one out.

Tombs of the Blind Dead - 7.5
Return of the Evil Dead - 8
The Ghost Galleon - 7.5
Night of the Seagulls - 8.5

I've only seen Tombs of the Blind Dead and Night of the Seagulls and neither did much for me. The Blind Dead are always fun to watch ride around in slow motion, but the rest of those movies are too slow and dry for me.

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Wed Feb 28, 2018 12:55 pm
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Rock wrote:
The Blind Dead are always fun to watch ride around in slow motion, but the rest of those movies are too slow and dry for me.

All the better to burn them!


Wed Feb 28, 2018 2:45 pm
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Watched a couple of smaller 80s titles.

Image

Woman posessed by a killer samurai demon. In Wisconsin! I can abide by cheap FX, but my mind is only so limber. 6


Image

This is closer to what I had in mind. This micro-Canadian release is a nice find, very creepy old-fashioned horror film, based on the Wendigo legend, and set in very close proximity to The Shining, being shot within months following its release. Therefore, the premise of being trapped in a snowed-in hotel perhaps would have seemed less entrancing at the time. The film is still very potent in atmosphere and chilly resonance, the acting ain't bad for such a low-budget film, and it pays off nicely as well. Well worth checking out. 7.5


Wed Feb 28, 2018 2:57 pm
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Jinnistan wrote:
Image

This is closer to what I had in mind. This micro-Canadian release is a nice find, very creepy old-fashioned horror film, based on the Wendigo legend, and set in very close proximity to The Shining, being shot within months following its release. Therefore, the premise of being trapped in a snowed-in hotel perhaps would have seemed less entrancing at the time. The film is still very potent in atmosphere and chilly resonance, the acting ain't bad for such a low-budget film, and it pays off nicely as well. Well worth checking out. 7.5

I definitely wanna check this out.


Wed Feb 28, 2018 9:13 pm
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I watched Happy Hunting, directed by Mel Gibson’s son and takes place in The Purge universe, nobody tell Blumhouse. It’s a standard story been done before but it’s fairly decent and has some interesting moments. If you want more stuff like The Purge I’d say this is better than any of that trilogy.


Fri Mar 02, 2018 5:43 am
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Deschain wrote:
I watched Happy Hunting, directed by Mel Gibson’s son and takes place in The Purge universe, nobody tell Blumhouse. It’s a standard story been done before but it’s fairly decent and has some interesting moments. If you want more stuff like The Purge I’d say this is better than any of that trilogy.

That the one that stole Blue Ruin's poster?


Fri Mar 02, 2018 10:56 am
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ThatDarnMKS wrote:
That the one that stole Blue Ruin's poster?


Pretty much.


Fri Mar 02, 2018 11:56 am
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Yo, folks. George Romero's Season of the Witch is on Prime, in its extended uncut version released on blu in November.

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Anyone who hasn't yet seen the film doesn't have a better opportunity. The restored film looks great, much improved from the grainy, seedy looking prior transfers, leading to the common criticism that it looked like a sexless porn. The film also stands up as an examination of middle-aged female sexuality, what Romero called his most feminist film. The housewife at its center (played brilliantly by Jan White) is caught in that age when her daughter has left home (discovering her own sexuality) and her husband is no longer willing (or able) to satisfy his wife sexually. She then finds the allure of witchcraft to offer a surrogate avenue of her restless sexual energy.

The film isn't scary, pre se, but it's one of Romero's most overlooked, and, I'd argue, one of his more important films. Watch it, goddamnit.


Sat Mar 03, 2018 12:47 pm
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This year is Lloyd Kaufman's 50th year overall in filmmaking and Troma's 40th year anniversary. I know you're saying to yourself but Troma is acquired taste. I think they are comedic genius myself.


Sat Mar 03, 2018 1:58 pm
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I found Blood Feast (1963) at Half-Priced Books for only 20 this weekend. Arrow Video is cool.

Also I think its awesome that Get Out was nominated for Best Picture. It does not quite make up for horror usually getting snubbed, however I will take it.

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Mon Mar 05, 2018 4:41 pm
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For any other director, making Jeepers Creepers 3 would be the lowest point and most shameful act of his or her life.


Tue Mar 06, 2018 2:07 pm
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March is lookin' pretty rough to me.

Is anyone buying into Pacific Rim 2, Ready Player One, Tomb Raider, or A Wrinkle In Time?
Each of these movies seems to have something going for it (Del Toro's original/Boyega, a popular/fun novel, Alicia Vikander, a young-adult/sci-fi classic), but each of these movies also actually look somewhere between pointless and total shit.
Anyone got any words to get me excited for any of these films?

(Ima share this in Recently Seen too, sorry for the dual-posting).


Wed Mar 07, 2018 3:24 am
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I fell asleep in the theater during the first Pacific Rim, but the involvement of Steven S. DeKnight (Angel, the Spartacus TV series, Daredevil) has me intrigued about Pacific Rim: Uprising. The man knows how to make good genre entertainment, so I'm optimistic.

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Wed Mar 07, 2018 3:29 am
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Wooley wrote:
March is lookin' pretty rough to me.

Is anyone buying into Pacific Rim 2, Ready Player One, Tomb Raider, or A Wrinkle In Time?
Each of these movies seems to have something going for it (Del Toro's original/Boyega, a popular/fun novel, Alicia Vikander, a young-adult/sci-fi classic), but each of these movies also actually look somewhere between pointless and total shit.
Anyone got any words to get me excited for any of these films?

(Ima share this in Recently Seen too, sorry for the dual-posting).

I seem to be the only person on earth who really liked the Ready Player One book and with Spielberg at the helm the movie should at least be entertaining, I wanna see the new Pacific Rim but am keeping my expectations very low. Tomb Raider can wait for Netflix. I didn’t grow up with Wrinkle in Time so I’m totally out of that franchise.


Wed Mar 07, 2018 4:45 am
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Wooley wrote:
March is lookin' pretty rough to me.

Is anyone buying into Pacific Rim 2, Ready Player One, Tomb Raider, or A Wrinkle In Time?


I like the people making A Wrinkle in Time, the people starring in it, and the book it is based on.

I'm hoping, hoping, hoping that it will do justice to the novel and not just be a simplified, CGI-fest. The book actually has some very dark moments to it and intense sequences and I hope they make it onto the screen.


Wed Mar 07, 2018 8:40 am
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Deschain wrote:
I seem to be the only person on earth who really liked the Ready Player One book and with Spielberg at the helm the movie should at least be entertaining, I wanna see the new Pacific Rim but am keeping my expectations very low. Tomb Raider can wait for Netflix. I didn’t grow up with Wrinkle in Time so I’m totally out of that franchise.

I found the book enjoyable, but the trailers just look like walls of extremely busy CGI that have nothing to do with the book.


Wed Mar 07, 2018 8:54 am
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Takoma1 wrote:

I like the people making A Wrinkle in Time, the people starring in it, and the book it is based on.

I'm hoping, hoping, hoping that it will do justice to the novel and not just be a simplified, CGI-fest. The book actually has some very dark moments to it and intense sequences and I hope they make it onto the screen.

Yeah, I re-read the book last year (before I heard they were making a movie) and I like the parts that aren't extremely Christian (wonder if they will side-step all that exclusively Christian world-view stuff in the movie), but this just looks to me like people standing in front of green-screens and the look of the movie is all wrong to me, kinda looks like that terrible Sam Raimi Oz movie from a few years ago.


Wed Mar 07, 2018 8:57 am
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I was a fan of Wrinkle in Time as a kid (although if I'm being honest, 50% of that was due to the awesome cover illustration)---
Image

I bought myself a new copy last year and re-read it and was pleased and impressed by its pro-science attitude. Even with the overt Christian elements that I didn't pick up on as a kid, I just loved the way it treated scientific concepts as matter-of-fact with no attempt to "dumb it down". These were kids raised by scientists and they talked accordingly, I thought. (Example: When they find the "dragon feather" and use the actual scientific term for the pointy part, which I'm embarrassed to say I've already forgotten.) So by the time I was done reading it I was convinced that this is just the thing that kids need to be exposed to right now, and was excited by the idea of the upcoming film. I began to look for interviews with those involved with the film and sadly, I saw little evidence that anybody shared my vision of the movie as a get-kids-interested-in-science opportunity. The attitude does not seem to be "we need to tell this story because...", but rather "Hey, what's a YA property that we can make, to get some of that Harry Potter money?" Sounds to me like Oprah didn't even know what the story was about when she agreed to be in it. So I have prepared myself for disappointment, and am just holding out hope that the movie gets some kids to read the book at least.

PS--if anyone is aware of an interview where DuVernay (or anyone) speaks about this, please pass it along.

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Wed Mar 07, 2018 11:15 am
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Haha, I remember that cover! Yeah, I have fond memories of the book (although I haven't read it in ages), but the movie looks like ass.

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Wed Mar 07, 2018 12:22 pm
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Captain Terror wrote:
(Example: When they find the "dragon feather" and use the actual scientific term for the pointy part, which I'm embarrassed to say I've already forgotten.)

And just to avoid confusion, I think this example is from the second book, sorry. My point is the same.

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Wed Mar 07, 2018 9:53 pm
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Captain Terror wrote:
And just to avoid confusion, I think this example is from the second book, sorry. My point is the same.

Funny, I was scratchin' my head tryin' to remember that part.


Wed Mar 07, 2018 11:59 pm
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Wooley wrote:
Funny, I was scratchin' my head tryin' to remember that part.

Yeah, sorry. The kids find a bunch of feathers and one of them remarks that the feather's rachis (I looked it up) is solid rather than hollow, as if that's the most normal thing for a kid to know. I just really liked the way that's handled. Like the little brother is considered a weirdo at school for being a genius, but within the family that sort of conversation is normal. I'm very skeptical that the film will take this approach.

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Thu Mar 08, 2018 12:59 am
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Captain Terror wrote:
Yeah, sorry. The kids find a bunch of feathers and one of them remarks that the feather's rachis (I looked it up) is solid rather than hollow, as if that's the most normal thing for a kid to know. I just really liked the way that's handled. Like the little brother is considered a weirdo at school for being a genius, but within the family that sort of conversation is normal. I'm very skeptical that the film will take this approach.

Agreed. But who knows.


Thu Mar 08, 2018 1:01 am
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Captain Terror wrote:
I was a fan of Wrinkle in Time as a kid (although if I'm being honest, 50% of that was due to the awesome cover illustration)---
Image

I bought myself a new copy last year and re-read it and was pleased and impressed by its pro-science attitude.


I read the book to my class two years ago. And while we are all noting the Christian elements--I think it's important to acknowledge that the book has those elements and is pro-science at the same time. And even most of the Christian stuff is about behavior and leadership and making the world a better place. In fact, some people think that the book is anti-Christian because it groups Jesus with people like Ghandi under the umbrella of warriors of light or whatever.

On the horror front, I am about 1/3 of the way through Ugetsu, which Filmstruck partially classifies as horror but which . . . isn't feeling very horror. It's certainly atmospheric, but the scariest thing that's happened so far is a very foggy boat ride.


Thu Mar 08, 2018 1:23 pm
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Takoma1 wrote:

I read the book to my class two years ago. And while we are all noting the Christian elements--I think it's important to acknowledge that the book has those elements and is pro-science at the same time. And even most of the Christian stuff is about behavior and leadership and making the world a better place. In fact, some people think that the book is anti-Christian because it groups Jesus with people like Ghandi under the umbrella of warriors of light or whatever.

On the horror front, I am about 1/3 of the way through Ugetsu, which Filmstruck partially classifies as horror but which . . . isn't feeling very horror. It's certainly atmospheric, but the scariest thing that's happened so far is a very foggy boat ride.


It's not very horror, IIRC. There's two threads, and only one of them has supernatural elements, and even then it's more toward eerie purposes, that sort of barely-there simmer of a Vampyr - which is fine and all, but Filmstruck may need to manage expectations somehow if they're putting Ugetsu in the same category as Antichrist.

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Thu Mar 08, 2018 1:33 pm
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Takoma1 wrote:
And while we are all noting the Christian elements--I think it's important to acknowledge that the book has those elements and is pro-science at the same time.

Right, that's one of the reasons I thought it was a good time for this to get a wider audience. A reminder for the youngsters that one can be a Christian without rejecting all science as heresy.

I was going to ask you if this was a book/series that kids were still reading, but you kind of answered that.

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Thu Mar 08, 2018 2:06 pm
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Considering that it's something Argento turned out in the 2000s, I didn't expect The Card Player to be very good, and it's not (too many scenes of video poker animations in the place of actual tension and no trace of his classic style), but the chemistry between the two leads makes it almost worthwhile. Liam Cunningham fans may want to check this one out.

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Thu Mar 08, 2018 2:30 pm
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Post Re: Horrorcram XV: Let's Scare Corrierino To Death

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Found this on Amazon. It's a European release but multiple user reviews claimed that the discs work on US players so I took a gamble and spent some birthday money on it. Happy to report that it does indeed work on my pretty-old Sony player. This is the original trilogy (Vincent Price) plus Cronenberg's and its sequel; 5 movies total. Just a heads-up for my fellow Fly fans.

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Fri Mar 09, 2018 12:08 am
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Post Re: Horrorcram XV: Let's Scare Corrierino To Death

Takoma1 wrote:
On the horror front, I am about 1/3 of the way through Ugetsu, which Filmstruck partially classifies as horror but which . . . isn't feeling very horror. It's certainly atmospheric, but the scariest thing that's happened so far is a very foggy boat ride.

But what a fantastically atmospheric boat ride (directly referenced by Scorsese in Silence).

I think the point is that Ugetsu is "horror" in that it involves a ghost story. Likewise, Kwaidan isn't very scary either. Still, it is an important entry for its time, and scenes like the above make it a very lovely film.


Fri Mar 09, 2018 7:56 am
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Post Re: Horrorcram XV: Let's Scare Corrierino To Death

Rock wrote:
Considering that it's something Argento turned out in the 2000s, I didn't expect The Card Player to be very good, and it's not (too many scenes of video poker animations in the place of actual tension and no trace of his classic style), but the chemistry between the two leads makes it almost worthwhile. Liam Cunningham fans may want to check this one out.


I am a Liam Cunningham fan, which is why I watched it and . . . yeah. Pretty awful I thought. The computer-game poker scenes are painfully uncool and so long. I'd probably advise other Cunningham fans to just rewatch Dog Soldiers (or A Little Princess!).


Fri Mar 09, 2018 8:23 am
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Takoma1 wrote:

I am a Liam Cunningham fan, which is why I watched it and . . . yeah. Pretty awful I thought. The computer-game poker scenes are painfully uncool and so long. I'd probably advise other Cunningham fans to just rewatch Dog Soldiers (or A Little Princess!).

Haha, I knew somebody here was.

Probably because my expectations were so low, I ended up not minding it. I respect that Argento is trying a more clinical approach which he thinks better suits the material, but I don't think he's very good at that approach, as he doesn't know how to make video poker or the internet remotely exciting.

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Fri Mar 09, 2018 12:39 pm
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Takoma1 wrote:

I am a Liam Cunningham fan, which is why I watched it and . . . yeah. Pretty awful I thought. The computer-game poker scenes are painfully uncool and so long. I'd probably advise other Cunningham fans to just rewatch Dog Soldiers (or A Little Princess!).

Or Hunger. That long take conversation is killer.


Fri Mar 09, 2018 12:46 pm
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Post Re: Horrorcram XV: Let's Scare Corrierino To Death

Captain Terror wrote:
Image

Found this on Amazon. It's a European release but multiple user reviews claimed that the discs work on US players so I took a gamble and spent some birthday money on it. Happy to report that it does indeed work on my pretty-old Sony player. This is the original trilogy (Vincent Price) plus Cronenberg's and its sequel; 5 movies total. Just a heads-up for my fellow Fly fans.

Price?


Fri Mar 09, 2018 12:46 pm
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ThatDarnMKS wrote:
Price?


Yep, he's in it. He's pretty good, but it's more of a supporting role.

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Fri Mar 09, 2018 1:23 pm
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DaMU wrote:

Yep, he's in it. He's pretty good, but it's more of a supporting role.

Gold!


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Fri Mar 09, 2018 1:48 pm
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Post Re: Horrorcram XV: Let's Scare Corrierino To Death

ThatDarnMKS wrote:
Price?

$45-ish. Got a $50 gift card for my birthday, and I only owed $3 or so after taxes. There appears to be more than one European set out there. One claims to be 8 discs, and another comes with a replica of Goldblum's "pod". This one with the white cover is the only one that I can attest will work on US players.

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Fri Mar 09, 2018 1:51 pm
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Captain Terror wrote:
$45-ish. Got a $50 gift card for my birthday, and I only owed $3 or so after taxes. There appears to be more than one European set out there. One claims to be 8 discs, and another comes with a replica of Goldblum's "pod". This one with the white cover is the only one that I can attest will work on US players.

I got myself a region free player last August so it's more the price that sways me. I have the first two Fly movies and the remake and it's sequel. I don't have the Curse of the Fly and I'd have to buy a DVD set that's far overpriced so it's tempting. I'll add it to my watch list and see if it ever dips. Thanks for the heads up!


Fri Mar 09, 2018 2:05 pm
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